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The 20th ShenZhen Creative December · Nantou · 2024
纱，印刷，铁，丙烯
第二十届深圳创意月 - 南头古城 - 2024
In the dense alleys of urban villages, fleeting glances reveal ambiguous moments of daily life. This uncertainty shapes the city’s texture and memory. Doors and windows symbolize the duality of seeing and being seen. Residents modify these boundaries to protect privacy while expressing identity, creating a "semi-private" state. As an outsider, how should one respond—to accept or cross these boundaries?
在城中村蜿蜒密布的小巷中，匆匆一瞥捕捉到日常生活中模糊暧昧的瞬间。这种不确定性塑造了城市的肌理与记忆。门窗象征着“看”与“被看”的双重性。居民在保护隐私的同时，也在改造这些边界，以表达自身身份，从而营造出一种“半私密”状态。作为外来者，该如何回应——是接受，还是跨越这些界限？
1. The Second Skin of the City – What’s Behind the Moon
The hanging moon is a silent dialogue. Is it drying clothes, concealing something, or just decoration? It doesn't provide answers but invites every gaze into ambiguity.
挂起的月亮，像是一场无声的对话。它是什么？是晾晒的布，是装饰的闲趣，还是遮挡的意图？背后是一种无解的猜测——图像存在，却隐藏了它的功能与意义。
它为何存在？暧昧在于功能的不可知，意义的未揭示。月亮不揭示答案，而是邀请每一次目光沉入暧昧之中。
2. The Second Skin of the City – Watching the Sea
A cut-out ad fabric becomes a barrier at the edge of sight, resisting overexposure and challenging the viewer’s imagination.
Does the model’s gaze lead to the sea, or something else?
一块裁切下来的模特广告布从商品的象征变成了遮挡物，在这片视线的边界，它对抗着过度的暴露，也挑战着观者的想象。
这块布，模特的实现或许是否通向了海边？它的意义在折叠与延伸中不断被重塑，一种无声的目光在漂浮的画面里隐现。
3. The Second Skin of the City – Small Courtyard
A virtual courtyard for a small tree turns a fantasy of private space into reality. The symbolic window grilles blend individual desires with the endless flow of space.
为一棵小树建造一座虚幻的小院，这片小院或许存在，承载的不仅是对私人空间的幻想。符号化的花窗构建，将对生活的想象与愿景从虚拟化为现实，使其超越了私人空间的边界。个体的愿望因此融入无尽的空间流动之中。